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The Chronology of Water: A Memoir, by Lidia Yuknavitch
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This is not your mother’s memoir. In The Chronology of Water, Lidia Yuknavitch expertly moves the reader through issues of gender, sexuality, violence, and the family from the point of view of a lifelong swimmer turned artist. In writing that explores the nature of memoir itself, her story traces the effect of extreme grief on a young woman’s developing sexuality that some define as untraditional because of her attraction to both men and women. Her emergence as a writer evolves at the same time and takes the narrator on a journey of addiction, self-destruction, and ultimately survival that finally comes in the shape of love and motherhood.
- Sales Rank: #39195 in Books
- Published on: 2011-04-01
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 6.00" w x .75" l, .95 pounds
- Binding: Paperback
- 268 pages
Review
"I've read Ms. Yuknavitch's book The Chronology of Water, cover to cover, a dozen times. I am still reading it. And I will, most likely, return to it for inspiration and ideas, and out of sheer admiration, for the rest of my life. The book is extraordinary." —Chuck Palahniuk, Pygmy
"I love this book and I am thankful that Lidia Yuknavitch has written it for me and for everyone else who has ever had to sometimes kind of work at staying alive. It’s about the body, brain, and soul of a woman who has managed to scratch up through the slime and concrete and crap of life in order to resurrect herself. The kind of book Janis Joplin might have written if she had made it through the fire - raw, tough, pure, more full of love than you thought possible and sometimes even hilarious. This is the book Lidia Yuknavitch was put on the planet to write for us." —Rebecca Brown, author of The Gifts of the Body
"The Chronology of Water’s central metaphor works beautifully: we all keep our heads above water, look around, and enjoy our corporeal life despite all the reasons not to; beyond that, the book is immensely impressive to me on a human level: the narrator/speaker/protagonist/author emerges from a seriously hellish childhood and spooky adolescence into a middle age not of bliss, certainly, but of convincing engagement and satisfaction." —David Shields, author of Reality Hunger: A Manifesto
"This intensely powerful memoir touches depths yet unheard of in contemporary writing. I read it at one sitting and wondered for days after about love, time, and truth. Can't get me any more excited than this." —Andrei Codrescu, author of The Poetry Lesson
"Flooded with light and incandescent beauty, Lidia Yuknavitch's The Chronology of Water cuts through the heart of the reader. These fierce life stories gleam, fiery images passing just beneath the surface of the pages. You will feel rage, fear, release, and joy, and you will not be able to stop reading this deeply brave and human voice." —Diana Abu-Jaber, Origin: A Novel
"Lidia Yuknavitch’s memoir The Chronology of Water is a brutal beauty bomb and a true love song. Rich with story, alive with emotion, both merciful and utterly merciless, I am forever altered by every stunning page. This is the book I’m going to press into everyone’s hands for years to come. This is the book I've been waiting to read all of my life." —Cheryl Strayed, author of Wild
From the Inside Flap
INTRODUCTION BY CHELSEA CAIN:: This is not your mother’s memoir. In The Chronology of Water, Lidia Yuknavitch expertly moves the reader through issues of gender, sexuality, violence, and the family from the point of view of a lifelong swimmer turned artist. In writing that explores the nature of memoir itself, her story traces the effect of extreme grief on a young woman’s developing sexuality that some define as untraditional because of her attraction to both men and women. Her emergence as a writer evolves at the same time and takes the narrator on a journey of addiction, self-destruction, and ultimately survival that finally comes in the shape of love and motherhood.
From the Back Cover
I've read Ms. Yuknavitch's book The Chronology of Water, cover to cover, a dozen times. I am still reading it. And I will, most likely, return to it for inspiration and ideas, and out of sheer admiration, for the rest of my life. The book is extraordinary. Chuck Palahniuk, Pygmy
I love this book and I am thankful that Lidia Yuknavitch has written it for me and for everyone else who has ever had to sometimes kind of work at staying alive. It’s about the body, brain, and soul of a woman who has managed to scratch up through the slime and concrete and crap of life in order to resurrect herself. The kind of book Janis Joplin might have written if she had made it through the fire - raw, tough, pure, more full of love than you thought possible and sometimes even hilarious. This is the book Lidia Yuknavitch was put on the planet to write for us. Rebecca Brown, author of The Gifts of the Body
The Chronology of Water’s central metaphor works beautifully: we all keep our heads above water, look around, and enjoy our corporeal life despite all the reasons not to; beyond that, the book is immensely impressive to me on a human level: the narrator/speaker/protagonist/author emerges from a seriously hellish childhood and spooky adolescence into a middle age not of bliss, certainly, but of convincing engagement and satisfaction. David Shields, author of Reality Hunger: A Manifesto
This intensely powerful memoir touches depths yet unheard of in contemporary writing. I read it at one sitting and wondered for days after about love, time, and truth. Can't get me any more excited than this." Andrei Codrescu, author of The Poetry Lesson
Flooded with light and incandescent beauty, Lidia Yuknavitch's The Chronology of Water cuts through the heart of the reader. These fierce life stories gleam, fiery images passing just beneath the surface of the pages. You will feel rage, fear, release, and joy, and you will not be able to stop reading this deeply brave and human voice. Diana Abu-Jaber, Origin: A Novel
Lidia Yuknavitch’s memoir The Chronology of Water is a brutal beauty bomb and a true love song. Rich with story, alive with emotion, both merciful and utterly merciless, I am forever altered by every stunning page. This is the book I’m going to press into everyone’s hands for years to come. This is the book I've been waiting to read all of my life. Cheryl Strayed, author of Wild
Most helpful customer reviews
82 of 93 people found the following review helpful.
A Stunning Book of Non-fiction, Which Broke My Heart and Gave Me Hope
By MG
Beyond its clear, dazzling lyrical passages, beyond its fierce energy and unending optimism, there is so much to say about this confessional, bravely written memoir, and you can be sure that The Chronology of Water is an important book. Its themes -- womanhood, motherhood, stillbirth, women's reproductive rights, bisexuality, love and fatherhood, promiscuity and sexual violence, drug and alcohol abuse, sorrow and grief, hope, and survival -- are cultural and political talking points, significant because these issues ought to be discussed and must be heard. That Lidia Yuknavitch is brave enough to begin these discussions with her readers is well worth applauding, and I think it would be a shame and an oversight to think anything less of the importance, and relevance, of this book.
67 of 80 people found the following review helpful.
the world on the body electric.
By C.E. Bagwell
This book is not pretty. It does not talk about an eating disorder. You will not like the protagonist/voice. This book knows no redemption. Finally, a book that can tell you what the world feels like on your nerves. This book tells you what it feels feels like to be a woman, to have a body that is as electric, as alive as any man's. This book is so spectacular in its ordinariness, it will give you permission to be so too. If you want to read a memoir that won't spoon feed you society's rhetoric on why good girls go bad, why girls eat their feelings, or try not to screw their feelings away, then read this. Read this book if you've ever felt ugly, or did things that were ugly. Read this book if you are lonely. Read this book because if you do not have the words for what happened to you, maybe Lidia Yuknavitch does.
90 of 110 people found the following review helpful.
"Excess Ain't Rebellion. You're Drinking What They're Selling."
By Megan Hewins
This book has an exceptional amount of hype surrounding it. Having supposedly created a new category labeled "Anti-Memoir," I had some reasonably high expectations for this work.
If you take any kind of creative writing classes, or study literature at the college level you will already be familiar with the push toward legitimizing creative non-fiction memoirs. On a fundamental level I'm not really interested in that debate. If someone's writing can hold my attention, entertain, and get me to engage with their text, I'm on board. Fiction, poetry, non-fiction, or mix genre. Good writing stands on its own and transcends any genre. However, the prose in "The Chronology of Water" is premeditated and forced. It reads like any other self-obsessed MFA non-fiction essay awaiting rejection in a lit mag slush pile. It's another example of how this genre is failing to launch.
On a line level the prose is highly pretentious and indulges in narcissistic self-aware faux avant-garde technique applied ad naseum. I'm all for a poignant fragment, but technique applied without reason or restraint renders the attempts into literary gimmicks (e.g. artsy-fartsy nonsense). At the line-level the book will drive an attentive reader bonkers. Anyone foreign to the MFA artsy-fartsy culture will just think there are a lot of typos and bad editing.
Which perhaps could be forgiven if the substance were weighty enough. Frankly, I feel that Yuknavitch is an unreliable narrator of her own life. I certainly don't believe in the truth of this memoir part and parcel. I believe only in Yuknavitch's desire to shock and awe the reader at any cost. All the up-close and personal details feel pimped and slimy. The events are not so much exposed and explored as they are posed and marketed. In the age of internet porn, no one has the luxury of being a prude anymore. Yuknavitch's silly sex details read like teen swaggering, which would be condemned as excessive if this were written by a male, but Yunavitch insists it is all sexy and empowering because she's a woman. The former bad-girl turned house kitten Ph.D. recounts what a naughty slut she once was. Sexual? Yes. Sexy? Not even close.
Read any of the prurient passages and transpose the gender and then ask yourself if you'd read the same thing from a male. I'd then invite you to ask yourself if parroting a braggart legacy of misogyny is really empowering to anyone, male or female. And you can offer the rebuttal "Oh but it's a memoir, she's just recounting her life." But I don't buy it, and that comes down to a question of credibility. Yuknavitch guts her own credibility at every turn. Non-fiction requires a fundamental devotion to the truth and Yuknavitch's tendency toward self-aggrandizing hyperbole left me in disbelief.
It's hard to not judge when reading a memoir, especially one that is so intent on not asking for your permission or forgiveness. I'm not really interested in condemning Yuknavitch. I don't want to be anyone's moral nanny. I believe women can be just as narcissistically self-destructive as any man. What I condemn is the boredom of it all. How does Yuknavitch afford her Rock `n Roll lifestyle? At the expense of the safety, sobriety, and sanity of everyone around her and after ruining other people's lives, she publishes an unabashed memoir of her exploits. Alcoholism, narcissism, and sex-addiction served straight with no chaser of complexity quickly becomes an easily dismissed, salaciously boring read.
In the last few essays Yuknavitch seems to sense this and goes all mushy, which I didn't find redemptive, believable, or satisfying either. It reads more like selling out. The transformation from hard-edged selfish addict to deep-thinking literary snob is not shown, it's told - and again, I just don't believe it. Yuknavitch doesn't pick herself up off the floor and straighten out her own life. No, she looks into the eyes of her married lover and when he tells her he wants her to have his baby - Whoomp There It Is! - She's done been saved by a man's redemptive love (insert Disney desperate lack-of-agency female chorus here). At every turn I feel the authenticity of experience is withheld, my trust as a reader trampled, and my time wasted.
I once heard a tragedy defined as a story where characters come close to transcending circumstances but fail to grow and live up to their potential. In that sense, this memoir, its prose and its "protagonist" are a real tragedy. This has that current buzz on it, where a lot of people are discussing the book - so by all means read it if you want to participate in that dialog, but don't believe the hype.
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