Senin, 27 Agustus 2012

[C657.Ebook] Free PDF The Rushdie Letters: Freedom to Speak, Freedom to Write (Stages)From University of Nebraska Press

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The Rushdie Letters: Freedom to Speak, Freedom to Write (Stages)From University of Nebraska Press

In February 1989 Ayatollah Ruhollah Khomeini of Iran announced that Salman Rushdie, author of The Satanic Verses, and "all involved in its publication who were aware of its content, are sentenced to death." Anyone who died in the cause of killing Rushdie, he said, would be "regarded as a martyr and go directly to heaven." 

The death sentence—or fatwa—quickly drew blood. Bookshops in London, Oslo, and Sydney were firebombed. Five people were killed and a hundred wounded when demonstrators attacked the U. S. embassy in Islamabad. In Bombay, twelve rioters were shot dead. The Italian translator of The Satanic Verses was stabbed viciously and the Japanese translator was stabbed to death. In Berkeley, bombs were thrown in Cody’s Bookstore and Waldenbooks. Fifth Avenue in New York was sealed off after a bookshop received a bomb threat.

In The Rushdie Letters twenty-six internationally renowned authors respond to the most extreme example of censorship in modern times. Also included is Rushdie’s reply to their letters, his essay on exile, "One Thousand Days in a Balloon," and a chronology of the fatwa.

  • Sales Rank: #3973528 in Books
  • Published on: 1993-02-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .44" w x 5.98" l, .59 pounds
  • Binding: Paperback
  • 190 pages

From Library Journal
In the four years since Ayatollah Khomeini issued a death sentence on Salman Rushdie and those associated with the publication of The Satanic Verses , numerous attempts have been made by writers and by Rushdie himself to repeal this edict. MacDonogh's collection joins Daniel Pipes's The Rushdie Affair ( LJ 4/1/90); The Rushdie File ( LJ 3/1/90), edited by Lisa Appignanesi and Sarah Maitland; and Malise Ruthven's A Satanic Affair (Chatto & Windus, 1990) as another plea on Rushdie's behalf. An opening essay in which the exiled author likens his fate to "1000 days in a balloon" is followed by 25 letters expressing solidarity, compassion, and anger. Iranian writer Fahimeh Farsaie chides Rushdie for ignoring fellow writers who have faced exile and death at the hands of political regimes. A final section contains Rushdie's reply and a chronology of the fatwa. Unfortunately, these letters will likely have more appeal as a cultural artifact than as a political document. Recommended for those libraries that own the above books on Rushdie.
- Henry L. Carrigan Jr., Westerville P.L., Ohio
Copyright 1993 Reed Business Information, Inc.

About the Author
Steve MacDonogh is a writer and editorial director of Brandon Book Publishers, Ltd., in Ireland. Article 19, the International Centre Against Censorship, works to oppose censorship worldwide.

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Minggu, 26 Agustus 2012

[I415.Ebook] Ebook Drifting House, by Krys Lee

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Drifting House, by Krys Lee

Set in Korea and the United States from the postwar era to contemporary times, Krys Lee's stunning fiction debut illuminates a people struggling to reconcile the turmoil of their collective past with the rewards and challenges of their present. Amid the famine in North Korea, the financial crisis of South Korea, and the cramped apartments and Koreatown strip malls of the United States, Krys Lee's vivid and luminous tales speak to the political and financial hardships of life in Korea and the uniquely unmoored immigrant experience.

            In the tradition of Chang-rae Lee's Native Speaker and Jhumpa Lahiri's Interpreter of Maladies, Drifting House is an unforgettable work exploring love, identity, war, and the homes we make for ourselves, by a dazzling new writer.

  • Sales Rank: #232050 in Books
  • Published on: 2012-12-24
  • Released on: 2012-12-24
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.80" h x .60" w x 5.10" l, .37 pounds
  • Binding: Paperback
  • 224 pages

From Booklist
Lee’s debut story collection features diverse characters confronting the terms of their distinct situations and misfortunes, exploring the borders between lost homelands and shifting relationships. In “A Temporary Marriage,” Mrs. Shin leaves Seoul for California to find her young daughter, kidnapped three years earlier by her ex-husband. She arranges a sham marriage with Korean emigrate Mr. Rhee, a relationship that becomes more nuanced as Mrs. Shin’s search intensifies. In the devastating title tale, three young siblings have no choice but to flee famine-ravaged North Korea for China, a journey that leads to harrowing decisions. “The Salaryman” follows a South Korean businessman as his life spirals out of control after he is fired from his job. “At the Edge of the World” portrays nine-year-old Mark Lee and his parents as they navigate their new life in Los Angeles, while Mark’s father struggles to come to terms with his past. Varying in settings from North and South Korea to the U.S., from postwar to present age, Lee’s nine tales offer haunting perspectives of dislocation and reconciliation. --Leah Strauss

Review
“In nine haunting tales, this Korean-born author . . . writes of the psychological fallout from Korea's troubled history and the toll on families living in a fractured world. . . . The metaphor of the drifting house serves as an apt, unifying roof over these harrowing, tragic stories about unmoored characters who find themselves neither here nor there. Lee . . . is well on her way to a promising literary career.” —NPR.org


“When reading the stories of debut author Krys Lee's Drifting House, the simplicity and restraint of the writer come to the fore: declarative sentences, no fulsome descriptions despite the exotic locales of some of her stories. It is in this quiet confidence that the true strangeness and beauty of the work can emerge. . . . It is the cool telling that allows the tectonic plates of history, social forces and circumstances to move beneath these stories, conveying the feeling that something urgent and profound is at stake, beyond the lives of these striving, damaged and unforgettable characters.” —Marie Myung-Ok Lee, San Francisco Chronicle




“This powerful debut collection takes an unflinching look at the reality of life in Korea. . . . Lee plumbs the darkness on both sides of this divided nation. . . . Hers is a unique approach. . . . By showing these authentic, everyday people at dramatic and pivotal moments, Krys Lee strips them to the core of their humanity. Her vision is a solemn one, but an important one too.” —Financial Times


“Krys Lee . . . is already a precise stylist and an unflinching observer of the unfortunate lot of her compatriots, those who stay [in Korea] and those who make it to the States. . . . In the best stories, like the tragic yet luminous ‘A Small Sorrow,’ the story of a flawed marriage and an artistic rivalry, Lee's psychological acuity is empathetic under its unsentimental portraiture.”

—The Minneapolis Star Tribune




“Drifting House has shades of Jhumpa Lahiri’s Unaccustomed Earth in its rendering of split cultural identities. But even more, it recalls Alice Munro’s Too Much Happiness, holding beauty and brutality in an elegant equipoise. . . . In her textured, knowing and brilliant debut, Lee tells hard truths, tenderly.”

—The Kansas City Star




“If there's one thing Krys Lee knows how to do it's use history and culture as the boards and backdrop of a narrative while allowing her characters to take centre-stage. . . . The two finest stories in the collection, ‘Drifting House’ and ‘The Believer,’ achieve extraordinary feats within a few pages— murder, madness, haunting, loss of faith and more.”

—The Guardian (London)




“Insightful. . . . A keen observation of the layers of Korean society the past few generations, and of the dualities that have shaped the peninsula and its people. . . . The collection is at its best in exploring the duality of past and future, of memory and hope. And it is often at its best. . . . A part tragic and part nostalgic perspective of modern Korea.”

—The Pittsburgh Post-Gazette




“Drifting House offers a rare look at how damaging politics takes a personal turn, undermining even what we are able to call home. . . . The greatest strength of these nine stories is Lee’s ability to locate them in the strange and brutal dimensions of lives distorted by dictatorship, exile, expatriation, and even hunger. Her stories also slide through the quiet violence of divorce, loneliness, parenthood, and erotic attraction. . . . Lee is a patient storyteller with a distanced, mostly omniscient point of view. Such a sweeping, plain-style narration is essential for lacing together a collection that unfolds in three countries. The even tone lifts these stories out of melodrama and turns them instead into pristine things that are as unsparing as they are compassionate.”

—The Daily Beast




“Identity, loneliness and survival haunt Drifting House, Krys Lee’s debut collection of short stories. . . . Ms Lee has a natural gift for storytelling and her writing displays a rare clarity. The dark images embedded in these stories reveal a world ravaged by pain and conflict, and explore what drives human beings at their most primordial.”

—The Economist




“If you are a short story lover, a reader who isn't afraid of true things, a person who knows every other person around them hides multitudes of both light and dark secrets, read Drifting House.”

—The Seattle Post Intelligencer




“However dark their fates might be, Lee blesses her characters with passions forged from the flames of suffering. The survivors of Drifting House are those who dare to find their salvation in small moments of beauty and connection, who have endured great losses, but pick themselves up and keep moving forward. . . . Drifting House reminds us of the illumination that comes from recognizing the shakiness of the ground under our feet. We tell ourselves that we are in control of our stories, but we never are. Lee’s survivors know the truth: Control isn’t possible. Once we accept that, we take our first, small steps toward grace.”

—Heather Havrilesky, The Los Angeles Review of Books




“Stunning. . . . There is a stark beauty to Lee’s writing. Drifting House offers a poignant glimpse into lives divided by history. . . . If you were to substitute the copious soju (a strong Korean spirit similar to sake) consumed here for bourbon, this could be Raymond Carver.”

—The Daily Telegraph (London)




“As they sift through the emotional wreckage left by civil war, political brutalities, financial collapse, and the prosaic details of getting by in places they're unwelcome, the individuals in Drifting House reach for resilience amid nearly unimaginable hardship. Lee, who splits her time between South Korea and the United States, is an empathetic chronicler of a perpetually displaced people, writing with the immediacy of someone who has lived their experience.”

—SF Weekly




“What wonderful and haunting worlds Krys Lee illuminates—a goose for a goose father, a sympathetic wife made bold by her husband’s infidelity—all facets of a Korea and a Korean America made new by this exciting writer’s entrancing vision.”

—Janice Y. K. Lee, author of New York Times bestselling The Piano Teacher




“Impressive. . . . The moral battle between good and evil that resonates through this collection reminds the reader of much of Flannery O’Connor’s short fiction.”

—Asia Literary Review




“Krys Lee has written a book of unforgettable stories, each one building on the other to create a complex, moving portrait of contemporary Korea and its diaspora. She guides us surely through the fallout of war, immigration, and financial crisis, always alert to the possibility of tenderness, transcendence, and even humor along the way. Lee is a writer who really understands loneliness, but her voice is so appealing, and her perceptions so wise, that we feel all the less lonely for knowing her characters and experiencing their lives.”

—Sarah Shun-lien Bynum, National Book Award finalist; author of Ms. Hempel Chronicles




“Set in both America and Korea, these are subtle, haunting stories that explore the lives of people caught between two cultures.”

—The Sunday Times (London)




“Almost every story in Krys Lee’s collection Drifting House pulls you in, and begins to work with you as patiently as a novel. A bit of deft characterization here, a subtle pull at your sympathies there, and twenty pages pass quickly by.”

—The Seattle Star




“Drifting House . . . lays bare [the] wounds of Korea and draws the reader into this fractured world. . . . Krys Lee does not work on a small canvas, and her vision and imagination startle and shock.”

—The Washington Independent Review of Books




"Krys Lee’s fascinating stories take place in gaps in the world, the surreal places that are in fact reality for her Korean characters, both at home and abroad. In those interstices there is horror and humor; there is sometimes haunting sadness, and there is on occasion grace."

—Jane Hamilton, New York Times bestselling author of A Map of the World and The Book of Ruth




“Affecting stories about the conflicts between Korean and American culture. . . . Lee writes with a clarity and simplicity of style that discloses deep and conflicting emotions about cultural identity.”

—Kirkus Reviews (Starred Review)




“Breathtaking debut. . . . Readers in search of exquisite short fiction beyond their comfort zone—groupies of Jhumpa Lahiri ... and Yoko Tawada—will thrill to discover Drifting House.”

—Library Journal (Starred Review)




“Sometimes, with luck, passion, and great skill, fiction accomplishes things nothing else can, things of magical and abiding significance. Krys Lee’s debut story collection is such a book. Drifting House is important for its heartbreaking depiction of the often horrifying plight of North and South Korean immigrants struggling to find dignity and self-definition in their new lives. It introduces us to a subject as old as human struggle itself, and a powerful new writer of highly lyrical gifts.”

—Philip Schultz, Pulitzer Prize–winning author of Failure




“A shimmering, variegated collection. . . . Masterful. . . . Lee reminds readers . . . that hardship is worth paying attention to, not just for the empathy it draws forth, or for the strength found in characters who manage to come out on the other side, but for its ability to connect people across time and cultures.”

—BookBrowse




“Krys Lee’s debut collection literally takes your breath away in its unflinching portrayl of displacement. . . . Even in her darkest, most startling depictions, Lee is full of grace.”

—Pop Culture Nerd




“[An] excellent debut. . . . Lee explores and highlights several aspects of Koreans and Korean Americans that are never discussed outside of the confines of those cultures. . . . Lee manages to accomplish a massive task: to explore modern Koreans and their place in both the U.S. and at home, in Seoul. Lee herself straddles both of these cultures, and proves to be a worthy ambassador for both.”

—Hyphen




“Elegant.”—Kansas City Star

About the Author
Krys Lee is the author of Drifting House and How I Became a North Korean. She is a recipient of the Rome Prize and the Story Prize Spotlight Award, the Honor Title in Adult Fiction Literature from the Asian/Pacific American Libraries Association, and a finalist for the BBC International Story Prize. Her fiction, journalism, and literary translations have appeared in Granta, The Kenyon Review, Narrative, San Francisco Chronicle, Corriere della Sera, andThe Guardian, among others. She is an assistant professor of creative writing and literature at Yonsei University, Underwood International College, in South Korea.

Most helpful customer reviews

6 of 6 people found the following review helpful.
We All Live in Drifting Houses
By Fairbanks Reader - Bonnie Brody
Drifting House by Krys Lee is one of the very best collections of short stories I have ever read. They are right up there with Alice Munroe. The stories are all about Korean people, their culture in Korea and the immigrant experience in the United States. The stories share several thematic elements: loss, separation, solitude, a sense of being out of place and situations of violence that are often painful to read. The author examines the limits of what human beings are capable of and how they endure.

In A Temporary Marriage, a woman leaves Korea for the United States in the hopes of finding her daughter who her ex-husband kidnapped. She enters into a marriage of convenience in order to have the correct paperwork to be in the United States. Here, she searches for her daughter in California.

At the Edge of the World is about Mark, "nine years old and he knew everything". He is more like nine years old going on forty. However, he is friendless and the other children his age torment him in endless ways. When a girl his age, Chanhee, moves in next door, they befriend each other. Chanhee's mother is a shaman and Mark's mother is a christian who despises shamanism. When Mark's father visits the shaman, all hell breaks loose in the family.

The Pastor's son is about the cycle of family violence and abuse. After the death of his mother, Jingyu and his father move to Seoul where his father marries his dead wife's best friend, a promise he'd made to his first wife before she died. There ensues a family from hell despite the pastor supposedly being a man of god. The pastor's son says, in a moment of insight, "I saw the violence that my father had grown up with and passed down to us. I felt what my father must have always carried with him: the terrible war, its long ago shadow that cast far beyond and drew you in like a thirsty curse".

In The Goose Father, Gilho is a goose father, a man in Korea who supports his family living overseas in the United States. To assuage his loneliness, he takes in a tenant, Wuseong. Gilho's life becomes transformed and reaffirmed in ways he could never have predicted.

The Salaryman is a very powerful story about the financial crisis in Korea and a worker who is let go. He gives everything he has to his wife and children and takes to living in the streets - desolate, lonely and hopeless.

Drifting House is about two young boys and their crippled sister who trek from N. Korea to China to try to find their mother who deserted them. The life of poverty they live is inconceivable; "an eleven-year-old with a body withering on two years of boiled tree bark, mashed roots, and the occasional grilled rat and fried crickets on a stick". Finding an acorn that can be divided in three portions is a real gift to them. Some of the people in their village have even reverted to cannabalism in order to stave off their hunger.

The Believer is one of the more violent stories in the book. Jenny had always believed in god and was even attending seminary school. However, she loses faith when she comes home to the site of a violent murder committed by her mother. Their family falls apart and despite the excrutiating emotional violence that Jenny endures, her search for god continues.

The stories are all about people who are dislodged from their lives in some way, passing time until something new might possibly occur. Many are waiting for an epiphany that is just beyond reach. They are caught up in the cycle of poverty, the immigrant experience, family violence, and the absoluteness of time. Some are dealing with sexual issues or sexual awakenings. They all live in a drifting house, some carrying their homes on their backs and others going from one land to another. This is a brilliant book and I highly recommend it.

4 of 5 people found the following review helpful.
Beautiful but Frustrating
By Suzi
At times, I felt like Lee's writing was beautiful in a simple but poised manner. There were passages that were so heart-wrenching that I could have cried. Lee often writes with wonderful and stunning imagery, that you feel like you can understand why this collection of short stories has received so many good reviews and praise. However - for me - there was as much frustration in reading these short stories as there was wonder,if not more. Her painfully literal translations of Korean phrases is jarring and often disrupts the flow of her work. While you know that the characters are not actually saying these literal sentences in English for someone who may not be familiar with the Korean language, it's awkward to have these well-developed characters full of personality saying such mechanical sentences to one another. They words lose their meaning when you make them so exact and the characters are no longer as believable. When my upperclassmen ask "' '''?" (Pap mogosso)they aren't asking if I have had rice exactly but simply whether or not I've eaten anything yet. These literal translations are so distracting and that is such a shame.

There were also times when characters would do something that seemed to clash with everything else the character has done and who the character has been explained to be. I feel like the juxtapositions could be truly meaningful, and I'm sure that they were written purposely, but without some kind of justification of these seemingly bizarre change in action or personality, they detract from the integrity of the characters. I also found some of the texts to be awfully word, or there were sensory overloads that took away from the deeper meaning of the story. Krys Lee has so much to say and so much too share, but so much of it gets lost along the way. Reading this collection I felt like a professor who has a brilliant student who just doesn't see the value or the point in making that extra effort in their work. I feel that you can always read Lee's potential to be a truly great writer, but she rarely seemed to fulfill that potential for me. Her work often left me with a feeling that she has an uncomfortable detachment to the subjects she writes about, I felt like she struggled to express these things that she didn't fully know herself, particularly in her story "Drifting House".

But, having said all of this, I would like to say that there were several stories in this collection that I absolutely adored - "At the Edge of the World", "The Goose Father", and "The Salaryman". And "The Pastor's Son" and "A Small Sorrow" almost made the cut as well. In these, Krys Lee effectively portrays these very human and genuine characters with real struggles that a large audience can identify with. They are Korean, and their Korean identities is a strong part of who they are and why they are but these factors don't overwhelm who they are as individuals or override their unique personal conflicts. In my opinion these stories - where Lee isn't trying too hard to present everthing as Korean or Korean-American, but simply showing us people and their everyday battles - are the most beautiful of all. I think that if she can find her voice and continue to write honest and penetrating stories like these I would quickly add her to my list of favorite authors. I honestly think these five stories make buying the collection of nine worth it, if only to get an idea of what she may come up with next.

2 of 2 people found the following review helpful.
One dimensional
By Prunella K.
I read this book on the recommendation of the author of The Orphan Master's Son. Unfortunately for this book, I read it immediately after The Orphan Master's Son, and it suffered by comparison. The process of degeneration in the Salaryman stories was brilliantly laid out. But the other stories, excepting the one about the couple with the unconventional marriage, were about people exhibiting extreme behavior that was hard to empathize with. It seemed as though immigration brought out tendencies already present in their personalities but this was not discussed. The book needed some balance.

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Selasa, 14 Agustus 2012

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Spy Ski School (Spy School), by Stuart Gibbs

Ben Ripley enrolls in ski school, where the slopes, and the stakes, get really steep in this follow-up to the Edgar Award-nominated Spy School, Spy Camp, and Evil Spy School.

Thirteen-year-old Ben Ripley is not exactly the best student spy school has ever seen--he keeps flunking Advanced Self Preservation. But outside of class, Ben is pretty great at staying alive. His enemies have kidnapped him, shot at him, locked him in a room with a ticking time bomb, and even tried to blow him up with missiles. And he's survived every time.

After all that unexpected success, the CIA has decided to activate Ben for real.

The Mission: Become friends with Jessica Shang, the daughter of a suspected Chinese crime boss, and find out all of her father's secrets. Jessica wants to go to ski school in the Rocky Mountains, so a select few spy school students are going skiing too--under cover, of course.

Ben might not be able to handle a weapon (or a pair of skis), but he can make friends easy peasy. That is, until his best friend from home drops in on the trip and jeopardizes the entire mission...

  • Sales Rank: #1278 in Books
  • Published on: 2016-10-11
  • Released on: 2016-10-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x 1.00" w x 5.50" l, .0 pounds
  • Binding: Hardcover
  • 368 pages

Review
"Readers will be glad they strapped on their boots and went along for the ride." (Kirkus Reviews)

About the Author
Stuart Gibbs is the author of the FunJungle and Moon Base Alpha series, as well as the New York Times bestselling Spy School series. He has written the screenplays for movies like See Spot Run and Repli-Kate, worked on a whole bunch of animated films, developed TV shows for Nickelodeon, Disney Channel, ABC, and Fox. Stuart lives with his wife and children in Los Angeles. You can learn more about what he’s up to at StuartGibbs.com.

Excerpt. © Reprinted by permission. All rights reserved.
Spy Ski School

ACTIVATION
Bushnell Hall

CIA Academy of Espionage

Washington, DC

December 6

1130 hours

The summons to the principal’s office arrived in the middle of my Advanced Self-Preservation class.

Normally, I would have been pleased to have an excuse to get out of ASP, as it was my worst subject. I was only getting a C in it, even though, in real life, I had been quite good at self-preservation. Over the past eleven months, my enemies had kidnapped me, shot at me, locked me in a room with a ticking bomb, and even tried to blow me up with missiles—and yet I’d survived each time. However, my instructors at the CIA’s Academy of Espionage never seemed very impressed by the fact that I was still alive. They just kept giving me bad grades.

“There’s a big difference between running away and being able to defend yourself,” my ASP instructor, Professor Simon, had explained, shortly before the call from the principal came. Professor Georgia Simon was in her fifties and looked like someone my mother would have played canasta with, but she was an incredible warrior, capable of beating three karate masters in a fight at once. “So far, all you have done in the field is run.”

“It’s worked pretty well for me so far,” I countered.

“You’ve been lucky,” Professor Simon said. And then she attacked me with a samurai sword.

It was only a fake sword, but it was still daunting. (The academy had stopped using real swords a few years earlier, after a student had been literally disarmed in class.) I did my best to defend myself, but it was only twenty seconds before I was sprawled on the floor with Professor Simon standing over me, sword raised, ready to shish kabob my spleen.

Which was all the more embarrassing, as it happened in front of the entire class. ASP took place in a large lecture hall. My fellow classmates were seated in tiers around me, watching me get my butt kicked by a woman four times my age.

“Pathetic,” Professor Simon declared. “That’s D-grade work at best. Would anyone here like to show Mr. Ripley how a real agent defends himself?”

No one volunteered. My fellow second-year students weren’t idiots; none of them wanted to be embarrassed like I had been. Or hurt. Luckily for them, at that moment, the announcement from the principal came over the school’s public address system, distracting Professor Simon.

There were plenty of other, far less outdated ways to deliver urgent messages to the classrooms at spy school, but the principal didn’t know how to use any of them. In fact, he wasn’t very good at using the PA system, either. There were a few seconds of fumbling noises, followed by the principal muttering, “I can never remember which switch works this stupid thing. This darn system’s a bigger pain in my rear than my hemorrhoids.” Then he asked, “Hello? Hello? Is this thing on? Can you hear me?”

Professor Simon sighed in a way that suggested she had even less respect for the principal than she had for me. “Yes. We can hear you.”

“Very good,” the principal replied. “Is Benjamin Ripley in your class right now? I need to see him in my office right away.”

A chorus of “ooohs” rippled through the room: the universal middle-school response to realizing that someone else has just gotten in trouble.

Professor Simon gave the class a warning glare and the “ooohs” stopped immediately. “I’ll send him right now,” she replied. Then she looked down at me and said, “Go.”

I leapt to my feet and hurried for the door, pausing only to snatch my backpack from my seat. Zoe Zibbell, one of my best friends, was in the next seat over. She looked at me inquisitively with her big green eyes, wanting to know if I knew why I’d been summoned. I shrugged in return.

Next to Zoe, Warren Reeves snickered at my misfortune. Warren didn’t like me much; he had a crush on Zoe and saw me as competition, so he was always rooting for my downfall.

I made a show of hustling out the door for Professor Simon—and promptly slowed down the moment I was out of her sight. I was in no hurry to get to the principal’s office.

I had been summoned to the principal four other times, and it had always been bad news: Previously, the principal had sent me to solitary confinement, placed me on probation, informed me that my summer vacation plans were cancelled in favor of mandatory wilderness training—and expelled me from school. (I’d been reinstated, however.) So I dawdled, wondering what trouble lay in store for me this time.

I exited Bushnell Hall and entered Hammond Quadrangle on my way to the Nathan Hale Administration Building. It was the week after Thanksgiving. Fall had been mild and beautiful in Washington, DC, but now winter had arrived with a vengeance. Frigid winds were stripping the trees bare of leaves, and a crust of icy snow carpeted the ground.

As I meandered across the quad, my phone buzzed with a text. It was from Erica Hale:

stop dawdling and get your butt up here. we’re waiting.

I stared up at the gothic Hale Building, wondering if Erica was watching me—or if she simply knew me well enough to presume I was dawdling. Either was a likely possibility.

Erica was only a fourth-year student, but she was easily the best spy-in-training at school. However, she’d had a head start on the rest of us: She was a legacy. The very building I was heading toward was named after her family. Her ancestors had all been spies for the United States, going back to Nathan Hale himself—and her grandfather, Cyrus, had been teaching her the family business since she was born. When I’d been learning how to assemble Legos, she’d been learning how to assemble semiautomatic machine guns. Blindfolded.

I picked up my pace, hurrying toward the Hale Building. If Erica was waiting for me with the principal, that probably meant I wasn’t in trouble. Plus, I was excited to see her.

I had a massive crush on Erica Hale. She was the most beautiful, intelligent, and dangerous girl I’d ever met in my life. I knew Erica didn’t like me nearly as much as I liked her, but the fact that she liked me even a little was a big deal. Erica regarded most of her fellow students—and professors—with complete disinterest. As though they were rocks. And not even pretty rocks. Boring, gray rocks. Gravel. Even though her text to me had been curt and cold, it was still a text from her, which was more human contact than Erica usually parceled out. There were plenty of guys at school who would have killed to get a text from Erica Hale.

I burst into the Hale Building and took the stairs up to the fifth floor two at a time. The security agents stationed there quickly waved me through to the restricted area. “Come right on in, Mr. Ripley,” one said. “We’ve been expecting you.”

I stopped and spread my arms and legs for the standard frisking, but the second guard shook her head. “No need for that. They want to see you ASAP.” She pointed me toward a door.

This was a different door than the usual one for the principal’s office. A piece of paper was taped to it. It said PIRNCIPAL. Given the misspelling, I figured the principal had written it himself.

The principal was very likely the least intelligent person in the entire intelligence community. We had a lot of decent teachers at school, most of whom had been decent spies earlier in their careers. Meanwhile, the principal had been a horrible spy. He had failed on every single mission. No one wanted him teaching anyone anything, so he was made an administrator instead. He mostly handled paperwork that no one else wanted to deal with.

The principal wasn’t using his normal office because I’d blown it up by firing a mortar round into it. (It was an accident.) The damage had been extensive, and since the government was in charge of the repairs, they were taking a very long time. The official completion date was set for three years in the future, but even that was probably optimistic; my dormitory had been waiting to have its septic system replaced since before the Berlin Wall fell. In the meantime, the principal had been moved down the hall.

Into a closet.

It was a rather large closet, but it was still a closet. Given the pungent smell of ammonia, I presumed that, until recently, cleaning supplies had been stored there. Instead of a nice big, imposing desk, the principal now had a card table. He sat behind it in a creaky folding chair, glowering at me from beneath the world’s most horrendous hairpiece. It looked like a raccoon had died on his head. And then been run over by a truck. The closet would have been crowded enough with only the principal and me, but three other people were crammed in there as well, waiting for me. All of them were Hales.

Erica stood beside her father, Alexander, and her grandfather, Cyrus.

Alexander Hale had been an extremely respected spy for years, despite the fact that he was a complete fraud. The Agency had finally caught on and kicked him out, but he had subsequently proved himself on an unsanctioned mission and been reinstated. Now he was back to his usual debonair self, wearing a tailored three-piece suit with a perfectly folded handkerchief and a crisply knotted tie.

Meanwhile, Cyrus Hale was the real deal, as good a spy as there was in the CIA, even though he was in his seventies. He’d been retired but had recently reactivated himself. Cyrus didn’t bother with fancy suits, which he considered impractical. Instead, he wore warm-ups, sneakers, and a fanny pack; he looked like he was about to go walk around the mall for exercise.

Erica wore her standard black outfit, her standard utility belt, and her standard bored expression. She barely glanced at me as I came in. “Nice of you to finally join us.”

“Sorry I kept you waiting.” I realized the closet didn’t have a window. Which meant Erica hadn’t seen me dawdling. She’d simply known I was doing it.

“No worries, Benjamin,” Alexander said cheerfully. “I just got here myself.”

“That’s not exactly something to be proud of,” Cyrus told him disapprovingly. “Seeing as you were supposed to be here half an hour ago.”

Alexander winced, the way he usually did when his father dressed him down, then tried to save face. “I was doing some important prep work for this mission.”

“What mission?” I asked. In the cramped closet, there was barely room to move. “What’s going on?”

“You’re being activated!” Alexander announced excitedly.

Cyrus grimaced, as though Alexander had said something he wasn’t supposed to.

“What?” The principal snapped to his feet, flabbergasted, obviously unaware of this news. “You’re activating this little twerp? For a real mission?”

“It wouldn’t make much sense for us to activate him for a fake mission, now, would it?” Cyrus asked.

“Well, he can’t go!” the principal declared childishly. “He blew up my office!”

Cyrus exhaled slowly, trying to be patient. “As I have explained to you multiple times, that was not entirely Ripley’s doing. It was a setup to make our enemies at SPYDER believe that he had actually been expelled so that they’d recruit him. . . .”

“He nearly killed me!” the principal protested, immune to Cyrus’s logic. “It’s bad enough that I had to take him back here as a student . . .”

“He was instrumental in thwarting SPYDER’s plans,” Alexander pointed out.

“. . . but now you’re going to send him out into the field again?” the principal railed on. “He hasn’t even been at this academy a year yet! He’s not qualified for the field!”

“He is,” said Cyrus. “He’s proved it.”

“But—” the principal began.

“It doesn’t really matter if you agree with me on this,” Cyrus interrupted. “Because the chief of the CIA agrees with me. And he’s the one who authorizes the missions, not you. The only reason we’re even having this meeting here is that, as the principal of this institution, you officially have to be informed when students are being sent into the field.”

If there had been anyplace to sit down in the office, I would have sat down. It was surprising enough to hear that I was being activated by the CIA. But I was completely floored to hear Cyrus defend me. Cyrus didn’t give out praise easily. In fact, it was a good bet that he’d never given any to Alexander at all.

The principal sank back into his folding chair, glowering even harder at me.

I tried to avoid his gaze, shifting my attention to Erica instead. “You’re being activated too?”

Erica arched an eyebrow at me but didn’t say anything.

“I mean, you’re here,” I explained. “And your grandfather just said ‘students’ were being activated. So it’s not only me. . . .”

“Excellent deductive work, as usual!” Alexander pronounced, patting me on the back. “You’re right. Erica will also be with you on assignment, as will my father and I!”

Erica’s expression didn’t change. I had no idea if she was pleased with any of this or not. She might as well have just been told she needed a root canal.

I was pleased, though. Even more than pleased; the idea of being on assignment with Erica was thrilling. In the first place, there was no one I trusted more. Second, it meant I now had an excuse to spend a lot of time with her.

In theory, I should have had plenty of other excuses to spend time with Erica, seeing as we both went to the same top-secret boarding school. But Erica could be as cold and distant as Antarctica. While the other kids at school bonded over pickup games of capture the flag or James Bond movie marathons, Erica kept to herself. Even though I was considered her closest friend on campus, that didn’t mean much. A few months before, at the end of our last mission, when we were both doped up on painkillers after nearly being vaporized by a missile, Erica had said a few nice things to me and held my hand. But since then she had behaved as though that had never even happened. There had been weeks when she hadn’t so much as glanced at me.

So I was excited for an excuse to hang out with her. Even one where my life might be in danger. As far as I was concerned, it was worth the risk.

“What’s the mission?” I asked.

Cyrus produced a sealed manila envelope from the inner pocket of his warm-up jacket and handed it to me. It was labeled OPERATION SNOW BUNNY and stamped FOR YOUR EYES ONLY. My heart leapt. Getting an honest-to-God “For Your Eyes Only” manila envelope in spy school was like being named king of homecoming in regular school.

I broke open the seal and found several photographs inside. They were extremely grainy, as though they’d been taken from a long distance away with a telephoto lens. The first one was of a Chinese man with close-cropped hair wearing sunglasses.

“That is Leo Shang,” Cyrus told me. “He’s one of the richest men in China. Worth billions.”

“What’s he do?” I asked.

“We have no idea,” Cyrus admitted. “The truth is, we know almost nothing about him: where he grew up, how much education he has, what he owns. He simply appeared on the scene five years ago, loaded with cash.”

Erica shifted closer to me to get a better look at the photos. As usual, she smelled incredible, a combination of lilacs and gunpowder. She stared at the pictures in a way that suggested she’d never seen them before, which was unusual. Normally, Erica knew everything way before I did. I wondered why Cyrus hadn’t shared these with her yet.

“Anyone with an untraceable background and that much money is suspicious,” Cyrus continued. “So the CIA has tried to investigate him. However, the man has the tightest security I’ve ever come across. His organization is almost impossible to infiltrate. He keeps himself cloistered, interacting with only a few select people, each of whom is also extremely well protected. We’ve been trying to get an agent close to him for years with virtually no success.”

“Why?” Erica asked. It was only the second time she’d spoken since I’d entered the room. “If he’s a Chinese criminal, that’s China’s problem, isn’t it?”

“We have reason to believe his crimes are not merely limited to China,” Cyrus replied. “He seems to be plotting something in the United States. The last agent who investigated him reported he’s working on a scheme known as Operation Golden Fist.”

“What’s that?” I asked.

“We don’t know,” Cyrus confessed. “Our agent was unable to learn any more before he was uncovered and the mission was terminated. However, in his final transmission to us, he did indicate suspicions that Golden Fist might be a Level Eleven threat.”

Erica stiffened slightly in response to this, which was her exceptionally calm way of expressing great concern. “Level Eleven?”

“What’s that?” I asked.

“Well,” Erica replied, “a Level Ten threat would be extreme, causing the most chaos, danger, and destruction you can imagine. A Level Eleven threat is even worse.”

I gulped, unsettled by the thought of this.

“Given this, it’s of critical importance that we determine what Golden Fist is,” Cyrus said. “That’s where you kids come in.”

“Us?” I gasped. “How are we supposed to get close to this guy when the entire CIA hasn’t been able to do it?”

“Because everyone has a chink in their armor,” Cyrus explained. “No man is an island. And Leo Shang’s weakness is his daughter, Jessica.”

I shifted to the next photo. It was of a Chinese girl about my age. It was even grainier than the first photo, so bad that I could barely make out anything about her except that she had hair. She appeared to be either baking a pie or holding a cat.

“You want us to get close to her,” Erica said.

“Exactly!” Alexander cried. “Leo Shang might be suspicious of any adult who tries to get near him, but we doubt he’d ever suspect a teenager would be a CIA agent. And if you can get close to Jessica, you might be able to get close to her father.”

“All right, I’ll do it,” Erica said. “It won’t be easy, but I can handle it. With a few hours of extensive makeup, I can pass myself off as Chinese. If you give me the proper identification, I can then insert myself as a new student at Jessica’s school. . . .”

A flicker of unease passed between Cyrus and Alexander, as though there was a subject both of them were afraid to broach. Finally, Cyrus seemed to realize he would have to do it. He cleared his throat and said, “Erica, you’re not the one we’re assigning to get close to Jessica.”

Erica’s eyes narrowed angrily. “Ben is the primary agent on this? You must be joking.”

Cyrus signaled her to calm down. “Sweetheart, the objective here is to befriend Jessica. And the key to making friends with someone is actually being, well . . . friendly. You have a lot of wonderful qualities, but being nice to other people isn’t one of them.”

“Other people are usually idiots,” Erica muttered.

“See what I mean?” Cyrus asked. “That attitude is exactly what I’m talking about. Now, when it comes to espionage, I know you have tremendous talents, while Ben here doesn’t have many at all. . . .”

“Hey!” I said.

“But he is good at making friends,” Cyrus went on. “People like him. And that’s nothing to sneeze at. Which is why he’s going to be the primary agent on this operation, while you’ll be his main handler.”

“He was the primary agent last operation!” Erica snapped. “And I was his handler then! He’s barely had any training, while I’ve been studying for this since I was a baby!”

“I’ve learned some things,” I protested.

Erica fixed her angry gaze on me. “I can speak fluent Chinese. In Mandarin and Wu dialects. Can you speak fluent Chinese?”

“Er, no . . . ,” I confessed meekly. “But I can order dinner in a Chinese restaurant.”

“Great,” Erica growled. “When you meet Jessica Shang, you can ask her for some egg rolls. I’m sure that’ll go over well.”

“That’s enough,” Cyrus told her.

Erica fell silent. She was obviously still angry, though. Which was unsettling. Erica rarely displayed much emotion at all. She was normally as calm and relaxed as a person at a day spa, even in the midst of a gunfight. But now she was so upset, it felt as though the room was heating up around her.

“This decision was not made to be an insult to you,” Cyrus informed her. “It was made because it is in the best interests of this country. If you can’t handle that, I’m sure we could find another student willing to be Ben’s handler.”

Erica shifted her glare to her grandfather. “You know there’s no one here better than me.”

“Welcome aboard, then,” Cyrus said. “Now, here’s the skinny: In a few weeks, the Shangs are actually leaving China for the first time in as long as we’ve been tracking them. Better yet, they’ll be coming to the United States. Jessica Shang wants to learn how to ski.”

“They can’t do that in China?” the principal asked. “They have snow there, don’t they?”

“Of course they have snow,” Cyrus said curtly. “However, their resorts aren’t nearly as good as ours yet—so Jessica wants to go to Colorado. Vail, to be specific. They’ve already rented a hotel there and—”

“A hotel room,” I corrected.

“What?” Cyrus asked.

“You said they rented a hotel,” I told him. “Instead of a hotel room.”

“That wasn’t a mistake,” Cyrus snapped. “They rented the entire hotel.”

“For one family?” I asked, stunned.

“Actually,” Alexander said, “Mrs. Shang isn’t coming. We’re not sure why, but we suspect that she’s even more secretive than her husband. Or maybe she just doesn’t like cold weather.”

“So they rented an entire hotel for only two people?” I asked, even more stunned.

“Plus their security staff, which is quite large,” Alexander explained. “Leo Shang doesn’t like being around strangers. And like we said, he’s very rich.”

“Still,” Erica said, “if he’s so cautious, why’s he coming to America at all? He must suspect the CIA is tracking him.”

“We’ve been wondering that ourselves,” Cyrus replied. “Our best guess is that the ski vacation is a cover for Operation Golden Fist.”

“So this doesn’t have anything to do with SPYDER?” I asked.

“Why should it?” Cyrus replied, in a way that suggested my question had been idiotic.

“Er . . . ,” I stammered. “Well . . . SPYDER’s kind of our main enemy, isn’t it? I mean, every time I’ve confronted an evil organization, it’s been that one. . . .”

“The United States has lots of enemies,” Cyrus informed me. “Including hundreds you’ve never heard of. And we haven’t heard a peep out of SPYDER since their headquarters blew up. That was a huge setback for them—financially and organizationally. So perhaps there’s a chance they’re out of the game.”

“I guess,” I said, though I didn’t believe it. SPYDER wasn’t the type of evil organization that quit being evil after a few setbacks. And we’d never captured most of the high-ranking members. Or even figured out the real identities of any of them.

“Now, Leo Shang might be only one man,” Cyrus told me, “but he controls an empire that appears to be just as powerful and dangerous as SPYDER. Perhaps even more powerful and dangerous. If he is truly plotting something with a Level Eleven potential for danger and destruction, there are many possible targets in the Rocky Mountains. The U.S. government has dozens of extremely critical facilities there: the headquarters for North American Aerospace Defense, Strategic Missile Command, the Air Force Academy. . . .”

“The Central Food and Seed Reserve,” Alexander suggested helpfully.

Cyrus frowned disdainfully at this, but he didn’t discount it, either. “Shang could be targeting any one of them. Or something else entirely. It is imperative that we find out what—and that we do it quickly. Which is why you need to get close to Jessica Shang, Benjamin.”

“How am I supposed to do that?” I asked, unable to hide how daunted I felt. “I won’t even be able to get into her hotel.”

“You’ll be attending ski school with her,” Alexander explained. “Leo Shang originally enrolled her in private lessons—but those were recently changed to group lessons. We’re not sure why, but we assume that was Jessica’s doing.”

“That doesn’t make any sense,” Erica muttered. “Why would anyone not want private lessons? In public lessons, you have to be around other people.”

“We suspect that might be the whole idea,” Cyrus said. “Leo has kept Jessica very cloistered her whole life, so perhaps she’s chafing at that.” He gave Erica a pointed look. “Sometimes teenage girls like to challenge authority.”

Erica rolled her eyes.

“Whatever the case,” Cyrus went on, “we have an opportunity here. We’ve already been in touch with the Vail Ski School, and they’ve agreed to enroll both of you in the same class as Jessica.” He turned to me. “Do you have any experience snow skiing?”

“Uh . . . no,” I conceded.

“Excellent!” Cyrus said, to my surprise. “Neither does Jessica. You’ll both be beginners. That will give you something to bond over right there. Erica will also be enrolled with you, as she’s never skied either.”

“Really?” I asked, stunned. Erica could do everything from martial arts to safecracking to infiltrating enemy compounds; it was hard to believe there was anything she hadn’t tried, let alone mastered.

“It hasn’t been a priority,” Erica explained, then turned to her grandfather. “And what happens if Jessica decides to bond with someone else in the class other than Ben?”

“We’ve already taken that into account,” Cyrus replied. “The other students in the class will be under orders to not befriend her.”

“How?” I asked. “You can’t give a bunch of random kids orders like that. . . .” As I spoke, however, I noticed Erica sighing, as though I was being dense. It took me another moment to realize what she had figured out instantly. “Unless they’re not a bunch of random kids.”

“Exactly,” Alexander said. “Some of your classmates are going to be activated too.”

“Now, wait one second!” the principal barked. “Even more of my students are being put in the field?”

“Who else is coming?” I asked.

“We haven’t decided yet,” Cyrus told me. “We’d like input from both of you before building the team. We want to make sure you’re surrounded by people you trust.”

A smile spread across my face. Not only was I being activated as a primary agent for an official mission, but I’d get to bring some of my friends along as well. And Erica would be there too. Sure, she was upset at the moment, but once she cooled down, I was looking forward to working with her. And at a ski resort, no less. I’d heard those places were chock-full of hot tubs and roaring fireplaces, all of which sounded very romantic. “When does this mission begin?”

“Leo Shang scheduled the vacation over his daughter’s winter break,” Cyrus reported. “That coincides with our winter break as well. You’ll be enrolled in ski school at Vail for a week, beginning the day after Christmas.”

My smile spread even further. My family hadn’t made any plans for winter break; I’d feared I was going to spend it stuck at my house, staring at the walls. A ski vacation sounded a thousand times better.

“It’s not going to be a vacation,” Erica said, reading my thoughts.

I turned to her, trying to conceal my surprise. “That’s not what I was thinking.”

“That’s exactly what you were thinking,” she said testily. “You were smiling like you just won the lottery. Well, this isn’t going to be fun. It’s going to be dangerous. Extremely dangerous. Grandpa and my father have been sugarcoating things. Leo Shang is far more vicious than they’ve let on. I know all about him.”

“How?” Alexander asked.

“I’m studying to be a spy. It’s my job to know things.” Erica turned back to me. “The reason Leo Shang is so hard to get close to is that he tends to kill anyone he’s suspicious of. Like the poor sap who learned about Operation Golden Fist. The reason that mission was terminated was because the agent got terminated. And he probably wasn’t the first we’ve lost.” She looked to Alexander and Cyrus accusingly.

Cyrus held her gaze, not giving anything away, but Alexander averted his eyes, indicating Erica had guessed the truth.

Erica returned her attention to me. “So while this might sound like a dream vacation, we’re being sent into the lion’s den here. And believe me, Leo Shang’s going to be doubly suspicious of anyone trying to get close to his only daughter. I’ll do all I can to protect you as your handler, but you better bring your A game to this mission. Because if you screw this up, you’re gonna end up dead.”

With that, she stormed out and slammed the door behind her.

I looked back to the others in the cramped room. Cyrus simply nodded his agreement, displeased that Erica had spoken the way she had but not about to lie to me either. Alexander gave me an apologetic shrug.

Now the principal was the one smiling. Apparently, he was quite pleased by the thought that I might die.

Suddenly, being part of Operation Snow Bunny no longer seemed like such a great idea.

Most helpful customer reviews

8 of 8 people found the following review helpful.
Spy ski school
By Amy Namba
Spy Ski School was another amazing book by Stuart Gibbs.I liked the book because of all the excitement. There is kissing, defusing bombs and a whole lot more. But if I told you it would give away the story. I recommend this book to middle schoolers. I hope you choose to read it.

4 of 4 people found the following review helpful.
Favorite series for 8-10 year old boys
By smiley
My 10 year old was drawn into the spy school series a couple of years ago (and he has also drawn me in!) So when he somehow learned that spy ski school was coming out, he because obsessed with getting a copy as soon as possible. There was a countdown for the release date in my household. This book exceeded expectations. Although i've only read it once, my son read it three times within the first week!

1 of 1 people found the following review helpful.
Best Book Of The Series So Far
By Amazon Reviewer
How can I start?

I have to note that in all of the Spy School books so far, the plot can be divided in three main themes: the action, the humor and the relationships.

I'll start from the action.

This time the movement of the story was simply EPIC. The beginning seemed a little too "normal", and the return of the Pirncipal (intentional mistake) was kind of annoying but funny.

However, there's a different feel to this book respect to the others; far from SPYDER, an actual sanctioned operation, Mike's return.

All three of the themes have "elevated" in this fourth book.
For once, the mission is a real mission, which gives it a sort of "professional feel" to it: no more escaping SPYDER, no more weird job offerings or such.

The action starts right away, with investigation, infiltrations and very funny undercover conversations.

*SPOILER* And when I mean the action elevated, it elevated: nuclear bombs, helicopters and machine guns.
A lot more action scenes compared to the other books, I think- and with the combination of snow, skis and menacing bodyguards makes it an exciting and enjoyable read.

The "villains's big scheme" is well thought of too; one of the hardest things of writing a spy book, to me, is to create a believable scheme. Not something too silly nor ridiculous (like world domination), but a plan acceptable and carefully crafted.

Now let's move on to the humor.
Not a single one of Stuart Gibbs's books lacks humour; in the worst situations or in a tense moment, there are always funny side remarks or comments (when Warren clocked his head and was like "I want a pony")

Most of the humour, this time, was directed toward Erica- *SPOILER* from her personality flipping like a coin whenever she went undercover, or actual her mistakes, or even when Zoe tried to spark a conversation about "girl talk" and Erica was like what the heck are you talking about??
It's kind of too bad though, as Erica's one of my favorite characters and seeing her act as the craziest teenager ever (even if just a cover) was both hilarious and unsettling.

Then, finally, the relationships.
I was betting a million dollars that Ben would get yet another crush on the enemy agent.
And it did, as everyone predicted.

Jessica is an interesting character- as always, not much of a description except that she has hair and is comparable to Erica, but that's even more vague because there wasn't much description of Erica either.
She seems very...real. Not that the others seem fake; she's a well crafted character who will probably appear in the future.

It's revealed that Zoe absolutely dislikes Warren, poor him, but I take that back because he was being a jerk the whole time.

As for Mike, his presence definitely turned the tables; the part where he was calculating which girl was better was pretty funny.
He's a smart kid, probably worthy of joining the Spy Academy, which will be interesting to see how Ben will react to that.

And of course, I can't skip the big Stuart-Gibbs-trademark cliffhanging ending and the jump of Ben&Erica's relationship, can I?
I had accidentally read a comment and spoiled the discovery, but that part was still unexpected and epic.

To finish up, this was, in my opinion, the best book of the series so far.

Things have really elevated, more characters have risen up in importance, more questions remain unanswered.

But if anyone can continue the series and keep up the awesomeness, I'm sure Stuart Gibbs won't disappoint us.

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[D365.Ebook] Download Ebook Information Dashboard Design: Displaying Data for At-a-Glance Monitoring, by Stephen Few

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Information Dashboard Design: Displaying Data for At-a-Glance Monitoring, by Stephen Few

A leader in the field of data visualization, Stephen Few exposes the common problems in dashboard design and describes its best practices in great detail and with a multitude of examples in this updated second edition. According to the author, dashboards have become a popular means to present critical information at a glance, yet few do so effectively. He purports that when designed well, dashboards engage the power of visual perception to communicate a dense collection of information efficiently and with exceptional clarity and that visual design skills that address the unique challenges of dashboards are not intuitive but rather learned. The book not only teaches how to design dashboards but also gives a deep understanding of the concepts—rooted in brain science—that explain the why behind the how. This revised edition offers six new chapters with sections that focus on fundamental considerations while assessing requirements, in-depth instruction in the design of bullet graphs and sparklines, and critical steps to follow during the design process. Examples of graphics and dashboards have been updated throughout, including additional samples of well-designed dashboards.

  • Sales Rank: #10751 in Books
  • Brand: Brand: Analytics Press
  • Published on: 2013-08-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.50" h x 9.00" w x 1.00" l, 2.74 pounds
  • Binding: Hardcover
  • 260 pages
Features
  • Used Book in Good Condition

Review

"Stephen Few is the master of creating simplicity and meaning through the clear visualization of data."  —Garr Reynolds, author, The Naked Presenter and Presentation Zen

"Design does not happen by accident. It is the product of careful and deliberate planning. Stephen Few demonstrates this through examples and best practices that are easy to understand and will improve how we display and communicate information. Businesses that value design will leap ahead because they will be able to quickly assimilate information, efficiently focus time and efforts, and create alignment, agility, and effectiveness. This book provides a running head start!"  —Eleanor Taylor, strategist, SAS Institute

"Written by one of the foremost expert in the field of data visualization, this is one of those rare books that seem to make the publication of other works on the same topic unnecessary. This is a very complete book and was obviously developed with great care. I highly recommend Stephen Few's Information Dashboard Design to any information designers who are focusing on the visual display of data and, more particularly, to dashboard designers."  —Pabini Gabriel-Petit, CEO and Principal User Experience Architect, Spirit Softworks

"How nice to find a book in which the best practices for dashboard design are all thoughtfully packaged. You are advised to make these mandatory reading for your designers."  —Claudia Imhoff, president, Intelligent Solutions, Inc.

About the Author
Stephen Few is the founder of the consultancy Perceptual Edge. He speaks, teaches, and consults around the world and writes the quarterly Visual Business Intelligence Newsletter. In addition to this book, he is also the author of Now You See It: Simple Visualization Techniques for Quantitative Analysis and Show Me the Numbers: Designing Tables and Graphs to Enlighten. He lives in Berkeley, California.

Most helpful customer reviews

24 of 25 people found the following review helpful.
Simply Delicious
By Michael Alexander
This second edition is a significant rewrite that contains lots of new concepts and examples. Focusing on visualization at a glance, this edition takes into account tools and technologies that have evolved since the first edition more than six years ago.

Stephen guides us through the mechanics of how humans perceive visualizations, and then translates that into guidelines we can use to synthesize data into effective dashboards. Far from being a dry read, his style is so direct and hard-lined I have to smile reading his work. For example, he shows (IN FULL COLOR) real examples of dashboards he's found, publicly flogging them down, telling us what not to do (woe unto him who ends up in a Stephen Few book). He then walks us through some excellent examples of dashboards, giving us clear vision for our own data.

If you build dashboards of any kind, you should definitely consider getting acquainted with Stephen's work.

21 of 22 people found the following review helpful.
Few encourages us to create "eloquence through simplicity"
By Dallas Marks
Stephen Few has made significant contributions to the field of data visualization, publishing books like Show Me the Numbers: Designing Tables and Graphs to Enlighten, Now You See It: Simple Visualization Techniques for Quantitative Analysis, and Information Dashboard Design. Drawing inspiration from experts like Edward Tufte and Colin Ware, Few has a real talent for bringing theoretical concepts to life in a practical way.

The first edition of Information Dashboard Design: The Effective Visual Communication of Data, published in 2006, completely changed my approach to building dashboards. The second edition of Information Dashboard Design is a significant revision and rewrite of its predecessor, with lots of new material. It is a reflection of how the world of data visualization has changed since 2006. None of the data visualization tools available at that time supported Edward Tufte's sparklines or the author's own bullet charts. Nor were there Apple iPhones (released in 2007) and iPads (released in 2010) to display analytics. The changes are also reflected in the subtitle, which is now "displaying data for at-a-glance monitoring" instead of "the effective visual communication of data."

What has not changed since 2006 is software vendors' pursuit of gaudy impractical visualizations like exploding pie charts. The acknowledgements are classic Stephen Few:

"Without a doubt I owe the greatest debt of gratitude to the many software vendors who have done so much to make this book necessary by failing to address or even contemplate the visual design requirements of dashboards. Their kind disregard for visual design has given me focus, ignited my passion, and guaranteed my livelihood for years to come."

Although Few is well-known for his disdain of pie charts, his advice is grounded in the science of visual perception. He devotes entire chapters to sparklines and bullet charts. And he provides new guidelines for visualizing data on smartphones and tablets. The chapter "Putting it All Together" provides in-depth analysis of real dashboards submitted for a dashboard design competition. It's very instructive to see multiple dashboards attempting to meet the same set of business requirements, with varying degrees of success. And the book concludes with "From Imaging to Unveiling," a short but meaningful chapter about how to design for success. Not only is the content valuable, but the hardcover edition is beautifully rendered in color with high-quality materials.

This is a book about dashboard design- not implementation. It's not written exclusively for dashboard developers, but anyone who has an interest in bringing useful data visualization to life in their organization. Few's goal is "eloquence through simplicity" and he achieves it with this new book.

21 of 23 people found the following review helpful.
The Definitive Guide
By Daniel G. Murray
I've been working as a data visualization consultant for over six years and when a client asks me the "one" book to read about dashboard design--this is the book I recommend. Excellent.

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Senin, 13 Agustus 2012

[W417.Ebook] Free PDF SABR and SABR LIBOR Market Models in Practice: With Examples Implemented in Python (Applied Quantitative Finance), by Christian Crispoldi,

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SABR and SABR LIBOR Market Models in Practice: With Examples Implemented in Python (Applied Quantitative Finance), by Christian Crispoldi,


Interest rate traders have been using the SABR model to price vanilla products for more than a decade. However this model suffers however from a severe limitation: its inability to value exotic products. A term structure model à la LIBOR Market Model (LMM) is often employed to value these more complex derivatives, however the LMM is unable to capture the volatility smile. A joint SABR LIBOR Market Model is the natural evolution towards a consistent pricing of vanilla and exotic products. Knowledge of these models is essential to all aspiring interest rate quants, traders and risk managers, as well an understanding of their failings and alternatives.
SABR and SABR Libor Market Models in Practice is an accessible guide to modern interest rate modelling. Rather than covering an array of models which are seldom used in practice, it focuses on the SABR model, the market standard for vanilla products, the LIBOR Market Model, the most commonly used model for exotic products and the extended SABR LIBOR Market Model. The book takes a hands-on approach, demonstrating simply how to implement and work with these models in a market setting. It bridges the gap between the understanding of the models from a conceptual and mathematical perspective and the actual implementation by supplementing the interest rate theory with modelling specific, practical code examples written in Python.    

  • Sales Rank: #1679723 in Books
  • Published on: 2015-10-28
  • Released on: 2015-10-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.52" h x .78" w x 6.41" l, 1.20 pounds
  • Binding: Hardcover
  • 216 pages

About the Author
Christian Crispoldi is a Vice President at Nomura Holding America Inc., in New York where he is responsible for the valuation and pricing of interest rate derivatives. Previously he worked as a financial engineer in various banks across Europe. Christian holds a Masters degree in Mathematical Finance from the University of York, UK, and a bachelor degree in Computer Engineering from the University of Bologna, Italy.

Gérald Wigger is Head of Quantitative Analysis at Weisshorn Re. He previously worked in various roles such as Head of Pricing at Axa Winterthur, Head of Risk Modeling at Zürcher Kantonalbank and Interest Rate Derivatives Quant at Bank of America Merril Lynch. Gérald holds a PhD in Solid State Physics from ETH Zurich.

Peter Larkin is a Data Scientist working on building predictive models using big data in the (re) insurance industry. Previously he worked as a Quantitative Analyst in the financial services industry working on projects spanning the pricing of structured products, credit and market risk, and asset management. Peter has a background in Theoretical Physics and received his PhD from the University of York in 2008, previously having obtained his Masters at Cambridge University and BSc at Imperial College London. In 2012 he also completed a MSc in Mathematical Finance from the University of Oxford.

 

Most helpful customer reviews

0 of 0 people found the following review helpful.
Very nicely written
By Po the panda
I needed a hands-on approach to LMM-SABR because I am going to implement one for work. This book definitely serves the purpose. Recommend it !!

0 of 1 people found the following review helpful.
Expensive for what it offers, superfluous code
By Amazon Customer
Rating 2.5 stars.

I found this book's utility limited to the *only* useful piece of actual code - the simulation of Sabr LMM. If you really want to learn Sabr LMM, I strongly recommend The SABR/LIBOR Market Model: Pricing, Calibration and Hedging for Complex Interest-Rate Derivatives.

A lot of python code seems superfluous. For somebody trying to learn Sabr LMM, do we really need code to -
1. calculate first derivative (essentially (a-b)/h)
2. calculate second derivative (essentially (a-2*b+c)/(h*h))
3. draw 2 correlated random numbers (essentially X and rho*X + sqrt(1-rho*rho)*Y). Then there is a separate snippet to calculate more than 2 correlated random numbers (run of the mill cholesky decomposition, can effectively be done in two lines)!
4. calculate (a+b*t)*exp(-c*t)+d (yes, this one liner is a separate python function in the book and mentioned as such in the book and all the marketing material).
and so on, I hope you get the idea.

The authors will say this code is used elsewhere in the book but then effectively the count of *examples implemented in python* (included in the book title as well) is down to two or three. Plus you will have to manually type the code from book, but hey at least no body can steal their code without paying for it! Another way to put it would be - no body can use their code even after paying for it!

This being said, the book does have bits of useful information here and there. I suggest a buy recommendation if price goes down to 25 GBP/ 40 USD , its way too expensive otherwise. You are better off spending your money on Rebonato's book.

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