Jumat, 18 Mei 2012

[K293.Ebook] Ebook Gudrun Zapf von HesseFrom Brand: Mark Batty Publisher

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Gudrun Zapf von HesseFrom Brand: Mark Batty Publisher

This book is the first major retrospective publication illustrating the work of Gudrun Zapf von Hesse-an important German lettering artist, type designer and bookbinder. This book features 150 color plates and is a visual essay of her accomplishments in bindings, handwritten books, typefaces, lettering and typography, drawings, and other art works. An introduction written by the noted Professor Hans A. Halbey reviews her lifework.

  • Sales Rank: #5502135 in Books
  • Brand: Brand: Mark Batty Publisher
  • Published on: 2002-01-01
  • Original language: English
  • Number of items: 80
  • Dimensions: 11.65" h x .85" w x 8.15" l, 2.69 pounds
  • Binding: Hardcover
  • 224 pages
Features
  • Used Book in Good Condition

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Senin, 14 Mei 2012

[A957.Ebook] Free Ebook The Oak Inside the Acorn, by Max Lucado

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The Oak Inside the Acorn, by Max Lucado

It was hard for Little Acorn to believe he would ever be a big, strong oak tree.

Soon Little Acorn grew into Little Oak. But now what was he to do? He couldn't grow oranges like the orange tree or flowers like the rose bush. He just grew and grew until he became Big Oak, and his branches were big and strong-but still he didn't know what he was to do. Then one day Big Oak found that his strong branches were just right for a very special purpose. The Oak Inside the Acorn is the story of the miracle inside each of us. For within every child is the special person God created, just waiting to grow.

  • Sales Rank: #5704 in Books
  • Brand: Thomas Nelson
  • Published on: 2011-05-02
  • Released on: 2011-05-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x .16" w x 7.99" l, .45 pounds
  • Binding: Paperback
  • 48 pages

About the Author

More than 120 million readers have found inspiration and encouragement in the writings of Max Lucado. He lives with his wife, Denalyn, and their mischievous mutt, Andy, in San Antonio, Texas, where he serves the people of Oak Hills Church.

From AudioFile
Nathan Larkin reads Lucados story of Little Acorns journey of growth and development with maternal tones and appropriate sound effects. Soft music plays as Little Acorns stem breaks away from his mothers branch, and he tumbles into a farmers truck filled with orange trees passing underneath. His mothers parting words--grow and become all you can be--linger long after her leaf-filled branches disappear in the distance. Sounds of a braking truck and shovels send Little Acorn spinning into the soft dirt beside a recently transplanted orange tree, and this engaging story of what develops begins. Larkins delivery, especially his timing, enhance a tale that children will ask to hear repeatedly. G.D.W. © AudioFile 2007, Portland, Maine-- Copyright © AudioFile, Portland, Maine

Most helpful customer reviews

1 of 1 people found the following review helpful.
"Be the tree God Made you to be"
By Buu Nguyen
I bought this book for my son's sixth birthday, uncertain of its message, but hopeful that it had something to do with growing up, and finding God's purpose for your life. It's all in the title-a young acorn, afraid to leave its "mother" tree, goes on a series of adventures until it finally matures enough to become a constant and reliable companion for a young girl, who is also searching for her purpose.

Throughout the book, this tree compares himself to those around him-the orange trees, who grow faster and bear fruit. The flowering plants, whose yield is plentiful and more immediately gratifying. He is frustrated by how slowly he grows, by how unremarkable he seems to be, not realizing that it is he who will become the biggest, the strongest, and the greatest of them all.

This message was exactly what I wanted to get across to my son. It is so easy for children to get caught up in comparing their accomplishments to others, especially if they mature much more slowly than their peers, or in my case, their siblings. I have children on both ends, and this book can speak to both of them.

I was able to read this to a 3 and 6 year old, but it was a bit too long for my three year old, who had run off to grab another book 3/4 of the way through.

Also, if you become emotional when you read "love you forever", this book will probably make you cry. I'm not overly emotional, but I couldn't help myself in the end, as I saw the message come full circle.

The analogy isn't completely logical, but it works for a child, and I have been able to use it for both of my children throughout the week as their various frustrations come up.

4 stars for the length, but with a little editing, it could easily be a five star book (I'm not sure the story line with the orange grove is necessary).

10 of 10 people found the following review helpful.
You'll Cry
By Lindsey
I usually find Christian Children's books to be hokey, unoriginal, and poor quality. This book, while a bit hokey at points, was original and great quality. The pictures are lovely. The story is a bit long for most younger (the under 3 crowd) children to sit through. My acorn obsessed two year old loves the pictures, though. I liked the story. It did get a bit muddled in the end with what Big Girl was doing or deciding. But overall, it is a great story. As a parent, this book might bring a tear or two to your eye as you read to your child. The message? Be the person God has created you to be.

1 of 1 people found the following review helpful.
Just be the tree God made you to be!
By homeschool_mama
Inside the tiny acorn, is a great oak just waiting to grow. The little acorn didn't realize his potential, but his mother oak did. She reassured him that he can be a great oak tree of his own one day, and he did. He grew taller than the orange tree and the roses in the garden. He grew so large and strong, that one day his huge branches were able to hold a swing for a little girl. He watched her grow and become older until one day she no longer played on the swing. She sulked below its branches, needing a lesson about her own potential. Max Lucado brings the story of great potential into the hands of children. Beautiful illustrations and a powerfully written story really work to catch a child's imagination. A great read for children 5 and older!

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Rabu, 09 Mei 2012

[P649.Ebook] Free PDF The Fifth Horseman, by Larry Collins, Dominique Lapierre

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The Fifth Horseman, by Larry Collins, Dominique Lapierre

In a suspenseful novel of terrorist threat, Libyan leader Qaddafi holds New York City hostage with the threat of setting off a hidden nuclear bomb. 12 cassettes.

  • Sales Rank: #2175944 in Books
  • Brand: Avon Books
  • Published on: 1987-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.80" h x 4.20" w x 1.10" l, .55 pounds
  • Binding: Paperback
  • 482 pages
Features
  • Great product!

From AudioFile
A thermonuclear bomb planted in New York City provides powerful leverage against the President of the United States. Muammar al-Qaddafi, Israeli government leaders, U.S. officials and the terrorists make up the cast of characters. Christopher Hurt does a masterful job of narration. His pacing and voice identify each individual and draw the reader into the action. At the same time, Hurt's sensitive interpretation allows the reader to sympathize with the different dilemmas involved. The scenario seems plausible; Hurt's powerful reading moves it into the realm of possibility. L.S. (c)AudioFile, Portland, Maine

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0 of 0 people found the following review helpful.
Good entertainment and a harrowing warning on the dangers of nuclear weapons and the minds of dictators
By Kiwiwriter
I got this book when it came out, in paperback edition, back in 1980, and soon wore it out. As a native New Yorker (four generations), it terrified me beyond words.

The authors of this book, veteran journalists and a long-time writing team from two continents and perspectives, wove together a highly complex thriller and cautionary tale about two malignant threats to civilization: the dangers of nuclear terrorism and the fanaticism of Muammar al-Qaddafi, set in roughly the Christmas season of 1979.

The detail and plotting was intricate and impressive, with an array of entertaining characters, some of them real people, like Israeli Prime Minister Menachem Begin, Deputy Secretary of State Warren Christopher, Nobel Laureate Stanley Ulham, and Muammar himself. Others were fictional: dedicated and aging New York police detective Angelo Rocchia, who cracks the case, his eager sidekick FBI agent Jack Rand (with the usual buddy police-movie issues), National Security Adviser Jack Eastman, French super-spy Henri Bertrand, and of course, the terrorists themselves, the extremely dysfunctional Dajani family, whose career in nuclear physics and international terror ends in fratricide and gunplay. There's also the obligatory New York mayor who clearly resembles Ed Koch.

The authors offer a wide range of settings, the faux glitter of Studio 54, the deserts of Libya, the hills of Jerusalem,, the centers of power at the Pentagon and the White House, an upper-class apartment in Paris, a great newspaper's editorial offices, slums in Brooklyn's Red Hook, a cellar full of outdated nuclear civil defense supplies, the New York Transit Authority's operations center, a mistress's apartment in Manhattan, a snappy (and real) restaurant on Centre Street, a suburban house in Spring Valley, the laboratories of Los Alamos, and the streets of Greenwich Village, where I grew up, so the book had immediate resonance to me. I was highly amused that the terrorists chose to hide their nuclear weapon right behind the garage where my father used to park our family car.

There are weaknesses. The American military responds to the crisis a lot faster than it probably really could. The secret is held a lot longer and more effectively than believable, given the vast overnight mobilization by American intelligence, police, and military agencies. Some of the characters are stock types, like the New York Mayor, the Police Commissioner, and some of the Cabinet members. The disintegrating romance between the Police Detective and his New York Times girlfriend seems somewhat tacked-on and its fate is unresolved.

And while a 1978 evacuation of Manhattan Island seemed an unlikely feat, the 2001 and 2003 evacuations in the wake of 9/11 and the blackout showed that it could be done without chaos, with fine organization, good humor, and excellent public-spiritedness. The authors seem to regard New York as a disintegrating nightmare. In 1978, that may have been true, though.

The book has two warnings: the United States (and therefore Western civilization) is utterly unprepared for and completely at risk for nuclear terrorism with devastating consequences. Some of that has been addressed by advances in technology, like gamma-ray detectors. Others by unmitigated horror -- 9/11 raised homeland security awareness to record levels. Nonetheless, the danger remains -- that someone with immense scientific ability, good financial resources, and a large penknife to grind might develop a nuclear weapon, and rather than fire it by rocket or plane at America or Britain, simply smuggle it into London or New York by ship, and incinerate either of those cities to make their point. A frightening idea, indeed.

The other warning was about Muammar al-Qaddafi. He was depicted as a menace to the body politic. That came true, with his ghastly terrorist attacks and incidents, culminating in the horrible 1988 Lockerbie bombing, which incinerated an American airliner and the Scottish town it was flying over. By today's Brobdingnagian standards of terrorism, that attack seems small beer, which is unfortunate and a sad commentary on the public memory.

But in the end, Qaddafi was stopped. Not as in the book, which hints that he will be the victim of assassination, nor by foreign enemies, or illness and age, but by his own people, who grew tired of his bizarre tyranny, and gave him the same treatment that Italians gave Mussolini and Romanians to Ceausescu...butchering him in public. Qaddafi is now a monument to insane egotism and a warning to would-be tyrants that their worst enemy is the people they claim to lead.

However, despite its age, this novel still stands up as good entertainment and a harrowing warning on the dangers of nuclear weapons and the minds of dictators...they should not go together.

5 of 5 people found the following review helpful.
Fifth Horseman, Larry Collins, Dominique LaPierre
By Christopher R. Marsh
I first read this book almost 15 years ago. It is practically bleeding with researched technical facts to enhance the plot, which is also captivating. Two main characters, Whalid and the President, seem to change their outlook later in the book.

It is a must read, especially now. A TLC broadcast from 1997, Doomsday: On The Brink, shows that as decades pass, such an incident might be inevitable. In the last 30,000 years, every other weapon the human race has invented has proliferated and been used. Decades? Centuries? Millenia? When the people who remember Hiroshima and Nagasaki have passed? Who might be tempted to push the button then? Not just political or military leaders, but terrorists?

A terrifying must read.

9 of 9 people found the following review helpful.
I couldn't put the book down
By PlanoTX
This is a prototype Tom Clancy book before there were Tom Clancy books.
I had bought The Fifth Horseman at an airport before a business trip. I read it on the flight for half an hour or so. Then it disappeared into the piles of non-essential materials.
Four months later, the book resurfaced. (Obviously, the first few chapters hadn't made much of an impression.) It was a morning in June about ten o'clock, outdoors on a hammock, when I started the book once more. It was in my den, after midnight, when I finally read the last page of the book.
What a story! A cliff hanger. Tremendous suspense. Extremely plausible. So good that I didn't read another novel for months because nothing else could compete with the experience The Fifth Horseman had provided. It was simply THAT good.
Amazon.com says this book is now out-of-print. Don't let that stop you. Buy it at auction. Find it at your library. Listen to it on audiotape. If you like books of international intrigue, this is the definitive suspense story.

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Kamis, 03 Mei 2012

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  • Published on: 1805
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Manhattan Transfer, by dos passos

355 pages

  • Sales Rank: #1073254 in Books
  • Published on: 1953
  • Number of items: 1
  • Binding: Hardcover

Most helpful customer reviews

36 of 36 people found the following review helpful.
An under read classic.
By choiceweb0pen0
Within the first few pages, it becomes apparent quickly that Manhattan Transfer is not a traditional novel. Dos Passos presents a collage of New York City in the 1920's that even 75 years later describes well the modern city. His technique of jumping from character to character as they interact with each other within the city as some succeed and others fail provides a bleak, yet at the same time oddly wonderful reading. His injection of newspaper ads, songs, and advertisements captures so well the bustle of large cities. I can only wonder why he is often left out of the "canon" of American Modernists. It does take adjustment to read Manhattan Transfer, but you will be more than rewarded for your efforts.

2 of 2 people found the following review helpful.
This book helped create "Modernism" in literature...but it's also a good read
By Reading as Much as I Can
This book is an excellent read, but it does highlight some of the problems with the early phase of so-called "Modern" writing. Passos is trying hard (perhaps too hard) to describe everything going on around him over a period of several years. That's a hefty task for a novelist and no one has done it much better (except Leo Tolstoi).

Unlike Tolstoi, though, John Dos Passos never gets very far into the minds and motivations of his characters. Like Tolstoi, he has a cast of hundreds, but he is not as deft at giving even some of the recurring characters the realistic motivations and sympathetic treatment that Tolstoi does. One does want to like or feel something for *some* of the characters in a novel. Maybe we want to dislike or even hate an occasional character. It's probably part of Passos's scheme to have none of that sort of thing in Manhattan, but he does early on introduce the rather sympathetic character of Ed. Red herring, really. Ed will disappear into Manhattan, his concerns and doings of only tangential importance within another 100 pages. I'm sure that literary critics have created an industry of trying to connect Ellen/Elaine's doings up with Ed's, somehow, but really, Ed is just an average guy with an average baby in an average setting in early 20th century Manhattan.

Upon rereading some of it, I get the feeling that Passos did not know where most of his characters were going or whether they would turn up again in the book. It seems as if he knew he needed some of them to recur, to make it a novel rather than a very extended book of vignettes and sketches. He does sketches very well. Most of us would be delighted to find ourselves able to write such sketches, but, like John Dos Passos, even if we could, we would not find a publisher. We could blog our sketches, and it struck me that Passos is something like an early blogger. Lots of impressionistic, day-to-day observations, strung together mostly by the fact that one person is writing them down. The sudden development of dramatic plot lines (and their very rapid denouements) means that you can't just start reading near the back and "get" the story (unlike a blog), but that's one of the few things that makes it different from blogging.

We have lots of great observers out there in the cyberworld, observing and writing. John Dos Passos took a chance when he decided to make a living making these kinds of observations. We are indebted to him, forever, for these glimpses of the World's Second Metropolis and for those glimpses, alone, this book is more than worthwhile. Whether you love Manhattan, as I do, or you hate it, you will still enjoy much of this book. You'll also likely find yourself wanting to skim certain sections, just as you'd wish the person in the next cubicle would stop some irritating habit, you'll find some of the characters irritating. They are, however, quite real in their ability to irritate and that's something to accomplish. He's far deeper into personalities, personality types and dialects than, say, Hemingway.

This book also set up many decades of further fictions about New York City, so in that regard, it's also a must read.

3 of 3 people found the following review helpful.
Lots of energy but fades into history like the buggy whip
By Digital Rights
Ask anyone about the 1920's and they may think Jazz Age, Prohibition, Babe Ruth, Hemingway, Fitzgerald maybe Faulkner. Only a minority would throw John Dos Passos into that ring but he was in fact a giant of the time. His "USA Trilogy" and "Manhattan Transfer" were recognized and awarded the same acclaim as writers we know so much better today.

Hemingway wrote that "Manhattan Transfer" finally gave the world the real picture of New York City. Alfred Döblin was deeply influenced by Dos Passos's style. He ran with the same crowd. Drank and partied with them all and yet almost a hundred years later his own fame is far eclipsed by so many others. Why?

A great novel needs great characters and a central theme or conflict. Dos Passos was writing about a time and place; New York City in the first part of the 20 century. His focus is on atmosphere. He wants you to feel the city through it's accents, bustle, the frustrations of daily life, the food and drink and the movement of cars, taxis, subways, street cars and boats of every kind. Through all that he wants to convey the energy that's bursting in every direction but he also wants to expose the contradictions of daily life; war veterans not getting their bonuses, women yearning for more opportunity, backstreet abortions, failed marriages, banks and businesses and later drinking during prohibition.

Characters come in go very briefly, re-appearing later. There are so many that it takes perhaps the first half of the book to keep it straight. For me it was hard to follow let alone develop an empathy or curiosity for them. It felt very flat. He uses major events of the day as a timeline but aside from war and prohibition much of those references are obscure and thus one tends to lose a sense of time passing that he was likely successfully conveying to his contemporaries.

My conclusion is that it's too ambitious and there is too little for the modern reader to grasp. By doing so much there are interesting points and poignant scenes. But too often I was flipping back to see if I had already jumped to yet another vignette and double checking if he'd jumped a few weeks, months or years. Pulling this out of a time capsule I enjoyed this as a 1925 novel of early New York but I wonder if it were the book that I'd want to say best depicted New York at that time and I'd conclude that other works have surpassed it.

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